Mughal Occidentalism Artistic Encounters between Europe and Asia at the Courts of India, 1580-1630

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  • Mughal Occidentalism Artistic Encounters between Europe and Asia at the Courts of India, 1580-1630
    Mughal Occidentalism: Artistic Encounters between Europe and Asia at the Courts of India, 1580-1630 (Studies in Persian Cultural History, Book 15) by Mika Natif
    2018 | ISBN: 9004371095 | English | 332 pages | PDF | 29 MB
    In Mughal Occidentalism, Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.

Mughal Occidentalism Artistic Encounters between Europe and Asia at the Courts of India, 1580-1630 Mughal Occidentalism: Artistic Encounters between Europe and Asia at the Courts of India, 1580-1630 (Studies in Persian Cultural History, Book 15) by Mika Natif 2018 | ISBN: 9004371095 | English | 332 pages | PDF | 29 MB In Mughal Occidentalism, Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir. Buy Premium From My Links To Get Resumable Support,Max Speed & Support Me
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